Successive Contrast - Chang Hwei Lan Solo Exhibition

EXHIBITIONS & EVENTS

Successive Contrast - Chang Hwei Lan Solo Exhibition

2017 / 06 / 17 Sat.

2017 / 07 / 23 Sun.

10:00 - 18:00

venue

MOCA Studio

About the Exhibition

Artists

Artworks

About the Exhibition

In chromatology, "successive contrast" refers to the perception of currently viewed stimuli is modulated by previously viewed stimuli. Successive Contrast—Solo Exhibition of Chang Hwei-Lan extends this concept with artworks that are mutually influencing through connections in space. The exhibition features interconnecting and transitioning physical movement as well as contrasting symbols of "multiplicity" that visualize the continuous characteristics of time. It traverses the boundary that connects individual subjects and the transition that takes place in audience's visual experience during movement, attempting to construct a site connecting external and private spaces. Through perceptive temporal sequence and successive changes occurred during audience's physical movement, the synchronicity and correlation of blueprints and images of our city as well as colors and familial memories are affirmed through contrast. They artist attempts to give these things new meanings through her personal artistic language during the process of their gradual disappearance. Chang Hwei-Lan's work addresses female self-awareness and mutual referencing between privateness and sociality, creating her unique artistic language rooted in daily life. Successive Contrast—Solo Exhibition of Chang Hwei-Lan begins with the artist's search for connections between her art-making and where she grows up. In the exhibition, she uses space, life and environment as a basis and constructs new possibilities for reading through spatial writing with symbols from external daily environment, segments of personal memory, and objects. In 2004, the artist's father was forced to move out of the military dependents' village he had lived in because it was about to be torn down. Afterward, day after day, he brought home illegally posted advertisements found on his way home, and folded them into paper boxes used for collecting garbage. From fragments of texts and color combinations found on the paper boxes, the incident that triggered a sense of feeling loss and being separated from home gradually revealed itself through tiny traces and fragments of our time. Together, they have formed an interface, which the artist has used for introspection and contemplation. Through the spatial installations on view, the exhibition reflects how the father and daughter have processed and coped with their situation that entails temporal changes as well as changes in their surroundings.

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Artists

CHANG Hwei - Lan

藝術創作者及獨立策展人，現任東海大學美術系專任副教授兼系主任

曾任高苑科技大學建築系專任助理教授兼藝文中心主任與橋仔頭糖廠藝術村藝術總監；法國圖魯斯高等藝術學院藝術創作組畢業，獲法國文化部國家高等藝術文憑( DNSEP )；圖魯斯米亥大學造形藝術系所畢業獲造形藝術學士以及碩士文憑；圖魯斯米亥大學應用藝術所畢業獲應用藝術研究所第三階段（DESS）環境色彩專題：高等專業研究文憑。

作品常以不同屬性空間為媒介，應用多媒材及不同技法，曾於國內、外美術館、大學藝術中心、藝廊、另類空間及戶外等發表十餘次個展及重要聯展四十餘次，並多次獲國家文化藝術基金會獎助；策展方面，除了致力藝術介入空間、藝術進入社區、閒置空間再利用、眷村文化調查與跨領域藝術等的議題外，1999年起於橋仔頭糖廠及大學藝術中心策劃展演，並針對其他不同地點的場所精神、人文及環境特質為創作與策展題材，已策展過四十多項展演活動。近年除了進駐於寶藏巖國際藝術村後,致力於基隆的國立海洋科技博物館的社區美學計畫並出版八斗子流動的島嶼色彩專書, 2012-2016年致力於中壢馬祖新村文創基地到桃園眷村鐵三角的建立、2016年起主持台中清水眷村文化園區的藝術實驗進駐與眷村空間的活化與營運。

Artworks

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