The Memory Palace includes thirty artworks that present Hsi’s unique interpretation of art formation and the idiosyncratic application of diverse space and atmosphere. The entire exhibition has enumerated different states of the overlapping, misplacement, and disassembly of Hsi’s private memories, personal imagination and real life. In the five exhibition rooms on the museum’s second floor, Hsi’s splendid and diversified creations have been categorized into five implicitly related themes: “Image in Memory,” “Universe,” “Home,” “Imagination: Beginning of the Body and the Animal,” and “Circus Maximus.” Among them, the "Image in Memory" leads the viewers to read and connect the memory elements provided by the artist with non-narrative contents and a three-channel video. “Universe” combines several abstract geometric shapes in an understated dark space. This design presents the artist’s imagination of the city and the universe as well as his hesitation for the uncertain future. “Home,” with red as its key color, is originated from the artist’s childhood fantasy and extension of scenes in ordinary life. “Imagination: Beginning of the Body and the Animal” echoes the artist’s change of career from spatial design to artistic creation. The artist deliberately uses blueprints often seen in spatial designs, which remind the viewers of rational planning, to delineate his free-willing imagination and personal memory. “Circus Maximus,” installed in the high-ceiling space of Room 201, presents the artist’s persistent pursuit of an ideal horse image in recent years. Seven horses of different materials, forms and themes, such as Horse of Knowledge, Horse of Love, Gallop of the Zodiac Steed, reveal the development of the artist’s diverse thinking and skills in art expressions. In addition, the artistic texture and aesthetic taste shown in the works also reflect the artist’s ambition to challenge, break through, and construct his self.